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Naidu, Samantha. University of KwaZulu-Natal Press; 2017. A survey of South African crime fiction : critical analysis and publishing history.
Naidu, Samantha. Wasafiri: The magazine of international contemporary writing; 2009. The writing circle by Rozena Maart.
Naidu, Samantha. Palgrave Macmillan; 2018. Teaching Postcolonial Crime Fiction:.
Naidu, Samantha. Intersecting Diasporas:. 2019.
Naidu, Samantha. ‘That ever-blurry line between us and the criminals’: African Noir and the Ambiguity of Justice in MŨkoma wa NgŨgĨ’s Black Star Nairobi and Leye Adenle’s When Trouble Sleeps. 2020.
Naidu, Samantha. Rhodes University; 2012. Three tales of Theal: biography, history and ethnography on the Eastern Frontier.
Naidu, Samantha. The myth of authenticity : folktales and nationalism in the 'new South Africa'. 2001.
Naidu, Samantha. Rhodes University; 2016. The emergence of the South African farm crime novel : socio-historical crimes, personal crimes, and the figure of the dog.
Naidu, Samantha. Southern African Journal for Folklore Studies; 2014. The struggle for authority in George McCall Theal's Kaffir Folklore.
Naidu, Samantha. Journal of Commonwealth and Postcolonial Studies; 2016. Crime travel: a survey of representations of transnational crime in South African crime fiction.
Naidu, Samantha. Palgrave Macmillan; 2017. A “Horrific Breakdown of Reason": Holmes and the Postcolonial Anti-Detective Novel, Lost Ground.
Naidu, Samantha. Routledge; 2013. Fears and desires in South African crime fiction.
Naidu, Samantha, Thorpe, Andrea. Routledge; 2018. ‘I don’t belong nowhere really’: the figure of the London migrant in Dan Jacobson’s ‘A Long Way from London’ and Jean Rhys’s ‘Let Them Call It Jazz’.
Naidu, Samantha. Palgrave Macmillan; 2017. Sherlock Holmes in context.
Stähler, A, Vice, S, Brauner, D, Bassi, S, Naidu, Samantha, King, B, O'Neal, G S, Aldama, F L, Gibbs, J, Rotstein, J R U, Calderaro, M A. Reviews: Unsettling Questions: Palestine, Israel, the Holy Land and Zion. 2009.
Naidu, Samantha. Book Review: Losing the Plot. Crime, reality and fiction in postapartheid writing. 2017.
Naidu, Samantha. Journal of Commonwealth and Postcolonial Studies; 2015. The first world’s third world expert: self-exoticization in Khaled Hosseini's The Kite Runner.
Naidu, Samantha. Arcadia Books Ltd; 2013. Navi Pillay: Realising Human Rights for All.
Naidu, Samantha. UNISA Press Journals - NISC; 2014. Crimes against nature : ecocritical discourse in South African crime fiction.
Naidu, Samantha. Southern African Literature and Culture Centre; 2013. Crime fiction, South Africa : a critical introduction.
Naidu, Samantha. African Identities; 2015. South African crime fiction: sleuthing the State post-1994, African Identities.
Naidu, Samantha. Palgrave Macmillan; 2018. Teaching Postcolonial Crime Fiction:.
Naidu, Samantha. Palgrave Macmillan; 2020. Transnational Crime in Deon Meyer’s Devil’s Peak and Santiago Gamboa’s Night Prayers:.
Naidu, Samantha. In Search of the “Goodlife": Border Crossing and Agency in Luis Alberto Urrea's Into the Beautiful North and Graciela Limón's The River Flows North. 2019.
Naidu, Samantha. Wasafiri: The magazine of international contemporary writing; 2009. Shalom India housing society by Esther David.
Naidu, Samantha. On becoming an African-Asian English academic at Rhodes University. 2004.
Naidu, Samantha. Rhodes University; 2000. Transcribing tales, creating cultural identities an analysis of selected written english texts of Xhosa folktales.
Naidu, Samantha. African Safety Promotion: A Journal of Injury and Violence Prevention; 2013. Vrou is gif : the representation of violence against women in Margie Orford’s Clare Hart novels.
Naidu, Samantha. Women writers of the South Asian diaspora : towards a transnational feminist Aesthetic?. 2008.
Naidu, Samantha. Scrutiny 2; 2014. Writing the violated body : representations of violence against women in Margie Orford’s crime thriller novels.
Naidu, Samantha. Rowman and Littlefield; 2020. [A] girl from the village: totally unspoilt.
Naidu, Samantha. South Asian diasporic women's short fiction: the South African contribution. 2007.
Naidu, Samantha. Rhodes University; 2007. Towards a transnational feminist aesthetic: an analysis of selected prose writing by women of the South Asian diaspora.
Naidu, Samantha, Van der Wielen, Karlien. Lexington Books; 2017. Evil and the Hero-Villain Binary in Deon Meyer’s Post-Apartheid Crime Thriller, Devil’s Peak:.